Outline

tumblr_mihmwo9gRi1rqpa8po1_1280Gay Talese’s outline for “Frank Sinatra Has a Cold,” 1966, written on a shirt board. Courtesy of Gay Talese, First Blogged at Explore.

 

Apart from the suit shops on Savile Row, you’d have a hard time finding a ‘shirt board’ folded up in a new button-down anymore. I also don’t know many journalists these days that make proper outline notes on anything other than a laptop or tablet and those beautiful, cinematic longform articles of old are slowly disappearing from our magazines and being replaced by advertisements or short 300-word bits about, probably, celebrities. And so when something like this surfaces, it captures the imaginations of those who love to read and those who love to write.

tumblr_mihmwo9gRi1rqpa8po2_500Frank Sinatra Has a Cold is without a doubt one of the best longform articles ever written. It is epic. It takes you on this incredible journey straight into the life and drama of one of America’s most loved (and feared) musicians and personalities – Mr. Frank Sinatra. It’s this old-school journalism, the kind that takes time, proper research, blood, sweat and tears that I’m so afraid is disappearing from the world.

The article is long, it’s really long. For me, a product of the 80′s and 90′s who has pretty much grown up with the internet and all the information in the world available to me as soon as I want it, it is not second nature to sit down and read an article that takes this much time. My attention span has most definitely been shortened by all of the choices and bite-sized content out there flashing and beeping and vying for my attention. That’s why I try to read this type of journalism on a regular basis – I don’t want my brain to evolve into something that can’t process writing like this. It’s a discipline to keep that part of my brain working when Twitter and bitty blogs and 99% of magazine articles out there could satisfy my hunger for content if I let it. But I don’t want to let it! And I don’t want other people to let it because when it does, and it will, then Gay Talese, Dominick Dunne, Russell Baker and James Baldwin’s work becomes something for the history books in content and form which would be an utter travesty.

I hope the optimists out there are right – that longform journalism isn’t dying, it’s just finding a new home online and on radio. I for one, am obsessed with Longreads and Longform apps and do find the experience of reading articles from them really great. Here’s hoping they’re giving this artform a new lease of life!

With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.

–Gay Talese

Origami and Paper.

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This series Paper on Paper by Marc Fichou is so beautiful. After spending two weeks in Kyoto, Japan, I have come to really love origami. The tiny, perfect, detailed, pain-staking art-form which is so terribly simple when broken down represents the Japan that I came to know and love during my time there. And that’s not to say anything about the more spiritual side of it – remember the story of Sadako Sasaki? She folded 1,000 paper cranes when she was diagnosed with leukaemia at the age of 12, ten years after being exposed to the radiation of the atomic bomb in Hiroshima. There’s a deep, spiritual, and cultural connection between origami and the Japanese that I find really fascinating. I love what Marc Fichou says about his series:

“In my series, the sheet of paper contains both the photographic and the material memories of its past origami form. Origami and paper are one and the same thing at two different times, in two different spaces and in two different shapes. The final piece is an unfolded photographic print where folds in the picture blend with the actual folds, thus blurring the line between image and matter.”

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Boat Magazine : Kyoto

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The fifth issue of Boat Magazine brings us to Kyoto, Japan. The stories we’ve found so far are completely fascinating. We’re so incredibly excited about this issue. If you’re interested in reading it, you can pre-order it from our shop here.

The Museum of Innocence

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“In fact no one recognizes the happiest moment of their lives as they are living it. It may well be that, in a moment of joy, one might sincerely believe that they are living that golden instant “now,” even having lived such a moment before, but whatever they say, in one part of their hearts they still believe in the certainty of a happier moment to come. Because how could anyone, and particularly anyone who is still young, carry on with the belief that everything could only get worse: If a person is happy enough to think he has reached the happiest moment of his life, he will be hopeful enough to believe his future will be just as beautiful, more so.”

- Orhan Pamuk, The Museum of Innocence

To be more like Shelagh Gordon

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Publishing is not the most secure world right now. I edit a magazine, the old-fashioned ink-on-paper kind, and it will come as no surprise that I ask myself every once in a while what the heck I’m doing in such an archaic field. For the most part, it’s teetering on the brink of collapse. Newsweek isn’t being printed anymore. The New York Times has been on a death watch for years now. The Guardian over here in the UK is constantly talking about redundancies. I just have such a hard time picturing the world without newspapers and magazines. I haven’t been able to convince myself yet that there is an equal alternative to sitting down with a copy of The New Yorker, for example, and devouring those ink-on-paper stories.

And yet, by far one of my favorite stories from 2012 was online. It is this genius interactive story from thestar.com where they sent 20 journalists to a funeral of a normal woman, Shelagh Gordon, and expanded her life as told at her funeral, by interviewing her friends, family and neighbors, and through visits to her house that was still untouched since her death. They wanted to celebrate the life of someone who left a legacy, but who we’d never hear of if they didn’t devote some space to her. It’s not a short article, but it’s worth the time and also the effort to find a quiet place to read it as you probably won’t be dry-eyed by the end of it. I’m posting it today because my New Year’s resolution is to be a bit more like Shelagh Gordon.

Boat Magazine : Athens

At long last, the Athens (Greece not Georgia) issue of Boat Magazine has arrived. We have spent a good chunk of 2012 working on this issue – searching for the people and projects in Athens, Greece that are worth shouting about. We found some incredibly inspiring stuff and in the 112 pages of our 4th issue, we give them some air time. We hope you enjoy this issue, it’s our favorite one yet.

You can buy a copy here.

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Here’s a look inside the issue: